A deep interrogation of layered colour referencing the shadows spilling on to the broad yellow floor of the old Washhouse, Union Street, Edinburgh, now Santu Coffee. Gouache and acrylic on birch cradle board (1mx1m). 2026
Fractured Shadows...in the early morning sun. Gouache and acrylic on nine birch boards. 2026
White on white. Exploring transition between line and surface. Debossed litho print. Limited edition (30cm x 30cm). 2026
Suspended installation no 2. 72 laser cut perspex forms. Interrogating light, movement and space. Referencing shadows spilling through the ventilation windows of Union Street Washhouse onto yellow floor. 2026
Maquette no 6. Prototype for suspended installation. Laser cut yellow perspex held within LED perspex box (15cm x 15cm x 35cm). 2025
White on white. Exploring transition between line and surface. Tension created by yellow lozenge. Embossed litho print. Limited edition (30cm x 30cm). 2026
Exploration of movement of light pouring through the pink perspex canopy onto concrete floor below. Bessemer Building, Imperial College, London. Tonal cloth tape on birch plywood board. 20cm x 20cm. 2026
Matrilineal Lines Series No 5. Examining movement within light and refraction. Metaphors for the daughters continuous redefining and reimagining of her relationship with grandmother and great-grandmother although they are no longer here. Faculty Building Imperial College London. Acrylic and gouache on birch cradle board (60cm x 60cm). 2026
Matrilineal Lines Series No 4. Line and light as metaphors for generational pathways. The double line is infinite - everything is possible. Faculty Building Imperial College London. Acrylic and gouache on MDF board (60cm x 60cm). 2026
Matrilineal Lines Series No 3. Examining the deconstructed line, space and light. Faculty Building Imperial College London. Acrylic and gouache on birch cradle board (60cm x 60cm). 2025
Matrilineal Lines Series No 2. Exploring line, light, reflection and refraction visually referencing the multifaceted glass building symbolic of complex generational relationships. Faculty Building at Imperial College London. Acrylic and gouache on MDF board (60cm x 60cm). 2025
Matrilineal Lines Series No 1. Interrogating reflection and refraction using a harmonious palette and delving deeper into my family's matrilineal bonds - shared wisdom. Faculty Building Imperial College London. Acrylic and gouache on MDF board (60cm x 60cm). 2025
Study of tessellated forms found within a fragment of the Faculty Building at Imperial College London. Acrylic and gouache on board (40cm x 40cm). 2025
Exploring form and colour having used collage first to realise this painting. Acrylic and gouache on board (40cm x 40cm). 2025
Interrogating the surprising outcomes of taking colour and layering one step further with the use of different coloured acetate forms. Acetate on board (40cm x 40cm). 2025
Interpreting the distillation of light in the shadows falling on the yellow floor of the Union Street Washhouse. Magnesium blue acrylic on BKF Rives printing paper (76cm x 76cm). 2024
Interpreting the distillation of light in the shadows falling on the yellow floor of the Union Street Washhouse. Cobalt violet acrylic on BKF Rives printing paper (76cm x 76cm). 2024
Suspended installation. 64 laser cut perspex forms. Interrogating light, movement and space. Referencing shadows spilling through the ventilation windows of Union Street Washhouse onto yellow floor. 2024
Maquette no 5. Prototype for suspended installation. Laser cut yellow perspex in clear perspex box (15cm x 15cm x 30cm). 2024
Exploring the splintered, fragmented image of Union Street window floor shadow. White on white. Acrylic and collage on board (1m x 1m). 2024
White on white. Exploring transition between line and surface. Acrylic, card and cord on board (30cm x 30cm). 2023
Exploration of fragmented shadow on wall. Referencing my family's matrilineal bonds. Acrylic and card on board (30cm x 30cm). 2023